Monday, April 20, 2009
"I watched you..watch him. It was different. I want that."
Thursday, April 16, 2009
"We'll sleep when we're dead."
Between the search for a job that will pay the rent while I struggle to get my fledgling business off the ground, the feeling of being constantly watched and hated, and maintaining some semblance of a social life (one that won't disturb the neighbors, that is), I have found that I simply do not have time to be adopted. As if life were no exhausting enough. I was driving home from my a-mom's house yesterday afternoon; the sun was shining, the trees are blooming, I'm getting ready to host a housewarming/graduation party...and I realized that I haven't spoken to S* since before I graduated. I haven't heard from her - and while I think of her every day in one way or another, I hadn't had the time to really think of her.
It is impossibly hard to maintain healthy relationships with your a-family, who live 15 minutes away, and your first family...who are a 5 hour plane ride away. It's unfair. And it leaves me wanting so much more. I want to be able to have a passing thought of my mother during the day and call her and invite her over for dinner, or for coffee, or to go shopping with me to help me pick out a dress for a Friday night on the town.
My roommate and her mother are very close. She accompanies us almost every weekend when we go out for cocktails and dinner. She comes with us to coffee, the mall, the movies, Saturday afternoon bumming around the house and eating pancakes at 3pm and doing laundry and napping in the sun. I love it. And I'm jealous of it.
I just want my mom. And I just don't have time to be adopted.
Tuesday, March 24, 2009
little Joanna with the big blue eyes?

In 2006, when I was first reconnected with S*, one of the first trains (floods?) of thought I experienced was the instant excitement that she would see me graduate. What child doesn't want their mother present at their graduation? It's just something I always assumed would happen.. that she would be there.
Wednesday, March 18, 2009
there must be a way to bring the two together;;
I had my final class today; the last class ever. It was a Marketing and Promotions final critique: 12 judges sat in the classroom while we each presented our materials and portfolio and were then judged on our "packages". I went in confident and assured. I came out in tears.They loved my commercial work; they hated my logo, but loved the photographs. We disagreed on individual images and their success, but everything was going smoothly...until someone mentioned the alternate postcard (which bore the image to the left). The text on the back of the card was rusted and weathered. It is a complete 180 from my commercial postcard. The consensus was that "any joe schmo off the street could have taken it." They claimed it was the token "first quarter" photograph that every amature needs to take to get it out of their system. I asked them to please refer to my provided artist's statement before commenting further. They did. It was silent.
The same judge who first noted the stark difference in images spoke up again. "So this is something separate from your commercial work?" I replied, "Absolutely. My fine art and my commercial work are two separate entities entirely. I work extremely hard to make sure they never cross." He asked why. I was thoroughly confused. I made a joke in asking him to please re-read the artist's statement. His reply was this: "So essentially you are two different people when you photograph." "I have to be," is all I said...and I began to cry.
I don't think that judge realized how his observation affected me. I tried my best to smile and blink back the tears that were fighting so hard to flow. I was failing miserably and no one understood why. For a brutal fifteen minutes we went back and forth: he insisted that I find the way to merge the two, because "surely, if a family with an adopted child realizes how passionate you are about this cause, they won't care either way and in the end will still hire you." I told him that he was, of course, entitled to his opinion but that it was perhaps naive and ill-informed.
How could anyone not affected by adoption ever fully realize: I am two different people entirely.
Sunday, March 15, 2009
you're not even really my sister;;

Thursday, March 12, 2009
what do you mean i can't see you; i can always see you;;


So, like. Does Disney have some inherent need to make every mother character leave the child? Truth be told, I cried even just capping the Land Before Time picture. I haven't seen that movie in years because every time I've watched it, I just turn into a mess. So...now I'm projecting my 'mommy issues' onto cartoon characters? This can't be a good sign.
Tuesday, March 10, 2009
you'll be in my heart;;
I'm here now. With a renewed sense of my adopted self.
Thanks for your patience.
Love,
Joanna.
This week (wait..it's only Tuesday) has been strangely packed with...triggers. All of them in the most unlikely of places. Or maybe not so unlikely. In any case, it has spawned the idea for a PICSPAM! SO. Introducing: "Adopted, Still: A Picspam".

Now, I battled with myself in whether or not to admit that I was totally watching the Disney channel last night when Tarzan came on. But the reaction I had was too intense to NOT talk about.
I hadn't seen this movie since it came out in theaters way back when. It struck me as odd the other night, because I remember having no reaction whatsoever to the movie when I was.. 12, or however old I was when I first saw it. Needless to say, at 22, it was almost comical - and I would have laughed at myself - were I not too busy crying and hanging on every word spoken in the movie.
You know (Disney version of) the story: Boy raised by gorrilas. But he has this scene where he causes some rukus and sends the elephants into a tizzy. "Kayla", the mother figure to Tarzan, defends him to her husband, saying that he's just a little boy and he meant no harm. "Kerchak", the hubby, replies with, "Give him a chance?! Kayla! Look at him!" Little Tarzan then runs off and mopes, sitting by a little pool of water. He stares at his reflection and tries to understand why he doesn't look like everyone else in the group. I almost threw up.
I just spent the better part of 12 weeks photographing a series that deals with just that feeling. At 22 years old, alone in my empty apartment, I was weeping in front of my 24 inch TV set.
Welcome to the trigger Picspam. MUCH more to come.
